- Understanding; a willingness to understand the play, the ensemble, and the audience all together
- Discipline; to create a constructive environment, the director must be disciplined his or herself; they must put in as much, if not more, effort into the production as all the other elements
- Diligence; a director must be willing to work hard in a consistent manner, or the production will never come to fruition
- Communication; a prerequisite to understanding and efficiency; it cannot be one-sided
- Enthusiasm; if the director has no interest in the production, that's already too much momentum and energy lost
- Motivation; different from enthusiasm, the motivation is the driving force towards completion and perfection
- Objectivity; a director must be able to have a clear goal in mind and think of what is practical; how to make the best play they can, even if it results in some difficult decisions with the rest of the ensemble; of course, communication and understanding is also key
- Awareness; of the world around them, of society, of the happenings in their ensemble, of the progress of work, the conditions of their cast, and more
- Adventurous; a director must be willing to take risks and have the motivation to see it through.
- Love; for the play, for the ensemble, for the audience
Relationship between director and the actor:
- Willingness to communicate and understand each other's needs and want
- Respect for one another and their ideas; available to listen to ideas
- Every member of the ensemble is important, and there is no insignificant role in the play; the director must understand this
found these. No worries on directing notes. sorry.
ReplyDelete