Sunday, January 27, 2013

Lighting Concept Thus Far

Our basic lighting concept; might be subject to change

Play: The Good Soul of Szechuan
Lighting Designers: Kevin, Justin, Sabrina, Peter
Date: 1/24/13

”Script Page #” refers to the page in the script for quick reference
”Line” refers to the line on the page that the lighting change will take place after
”Lighting Description” refers to a short written description of what is happening with the lights.

Script Page #Lighting Description
[Before the Play]
  • Bamboo Gobos
  • Green general wash
[After the audience has sat down]
  • Dim to black (Brechtian Elements; do we want black or just a slight dulling?)
Prelude
  • Ellipsoidal; focused on Wang, representative of Hope
  • The passer byers are in shadow
  • Followspot growing progressively brighter as the gods enter
Scene 1
  • Before Scene
    • General wash (early in the morning; red to blue?)
  • As each character enters the shop
    • The wash will close in on the shop
  • At the end of the scene
    • Fade to Blue spotlight on WANG in his corner
Interlude
  • Before Scene
    • Blue spotlight on WANG
    • Lantern on near WANG
  • When gods enter
    • Soft edged spotlight on the gods
  • At the end of scene
    • Blackout
Scene 2
  • Beginning of Scene
    • Half intensity spotlight on shop
    • Lanterns will be used for SHUI TA and HUSBAND
  • When Husband and Wife wakes up
    • Lantern 1 turns on
  • When SHUI TA enters
    • Flips the switch
    • General wash on shop
  • When scene ends
    • Fade to light blue gel wash
Scene 3
  • When scene begins
    • Blue wash
    • Gobo for willow tree with green gel spotlight
  • When scene ends
    • Fade the willow tree
    • Focus on WANG’s spot
Interlude 1
  • Represent hope in the beginning, and somehow transition into disappointment.
  • Lantern on near WANG
  • Ellipsoidal light on Wang and the Gods.
    • This may change in the future if we decide we want Wang to move around.
  • During Wang’s last line, dims to black
Scene 4
  • Spotlight on Shen Te for the first stanza > hones in on her thoughts and her goodness; isolation.
  • After first stanza, the audience is lighted as numerous characters begin to emerge - Ubiquitous thought; Brechtian element.
  • Dims to black.
Scene 5
  • General wash for the entire scene; Yellow, pollution-like shades.
  • Dim to black
Interlude 2
  • Color: Early in the morning; beginning of dawn; Dark
  • Spotlight on Shen Te until “sell this sack so Yang Sun can fly again.”
  • After that, half intensity light lit on different parts of the stage.
    • Drug addicts will be doing different things at this time.
Scene 6
  • Beginning of Scene
    • General Wash (Half Power/Intensity) with a spotlight on MRS.YANG and YANG SUN.
  • PG. 56 Line 1
    • Spotlight on SHEN TE.
  • PG. 56 When SHEN TE waves YANG SUN over.
    • General Wash (Full Power/Intensity)
  • Start of YANG SUN’s song/monologue on PG. 63
    • Start bringing up a blue spotlight slowly and should reach full intensity by the time he’s done
    • The general wash should also start to dim down
  • Pg. 64 right after MRS. YANG’s first line
    • Spotlight gone, general wash back up to full intensity
  • Pg. 64 after looking at the door for a while
    • slowly start transitioning to Interlude 3’s lighting
Interlude 3
  • Beginning of scene
    • Blue/Green spotlight on both WANG and the Gods
    • Lantern on near WANG
  • End of scene
    • Blackout
Scene 7
  • Beginning of Scene
    • General Wash
  • Before she starts talking about child on pg. 68
    • Dim General Wash and have a light blue spotlight on SHEN TE and her child when he comes later.
  • When the child says he needs to leave on pg. 69
    • General Wash full intensity
Interlude 4
  • Beginning of scene
    • Blue spotlight following WANG
    • Lantern on near WANG
  • End of Scene
    • Blackout
Scene 8
  • Beginning of Scene
    • General Wash on whole stage
  • When Yang Sun enters
    • General Wash on tobacco shop
  • End of Scene
    • Fade to Blue spotlight on WANG’s sleeping spot
Interlude 5
  • Beginning of Scene
    • Blue spotlight on WANG’s sleeping spot
    • Lantern on near WANG
  • When gods enter
    • Spotlight on gods
  • End of Scene
    • Blackout
Scene 9
  • Beginning of Scene
    • Lights on in the WHOLE BLACK BOX
    • Washes EVERYWHERE
  • As the policeman clears the court room
    • The lights will fade to a general wash in the court area only
  • When SHEN TE enters again
    • Blue follow spot
  • When the gods talk after SHEN TE’s big speech
    • Get rid of the blue spotlight
    • Fade to pink glow
  • End of Scene
    • Blackout

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