Monday, April 22, 2013

Greek Masks: Visibility and Projection

Origins
  • ritualistic or religious
    • Dionysus; god of wine, fertility, and revelry
    • eventually transitioned into a more secular era
  • origin of theatre was recommended by Aristotle
    • "Human beings are instinctively imitative"
    • first of the greatest theatre in the western world was from Greece
    • Dionysus; dithrambs
      • Aristotle belives that from these festivals was where theatre had first emerged
    • 534B.C.
      • the city of Dionysia started a contest of theatre around the region
  • Key Greek Playwrights
    • Aeschylus
      • Plays of Mythology
      • Oresteia
    • Sophocles
      • Antigony
    • Euripides
      • Wrote 92 but only 23 survived
        • Medeles??
        • Trojan Women
        • Cyclops
      • Reduced the role of the chorus
        • skeptic of Greek ideals
        • skeptical of the gods
    • Aristophanes
    • Mendeles
  • Only 45 plays survived: 32 tragedies, 12 comedies, and 1 satyr play
Elements of Greek Theatre
  • Everyone dies offstage
tbc

Wednesday, April 3, 2013

A Mask for Me?

"Give a hypocrite a mask to wear, and he will be rendered incapable of further lying"

It's ironic because one of the roleplays that I've worked very hard to create and maintain involves the creation of masks for the characters we play, yet I never considered what sort of mask I would wear. I'm sorry if this isn't what you expected, but because of the amount of effort placed in this roleplay, when I hear someone ask me what 'my mask' is, I can't help but think of the ideas used within the story.

I consider my 'true mask' to be, rather than a facet of my existing personality, the personality that I want to become. It's also the mask that I try to wear while presenting myself to other people, but in essence, if I wear that mask without trying to change, it's merely a crutch. It's something I use to hide my true character because I'd rather be like something else. Eventually I won't need the mask because I would either have accepted myself or learned to grow into the person I want to be.

For me, that mask would probably be a full-face mask. It would wear a smile with a plain base color, probably something pastel or mint green, but around the eyes, down the right side, there would be multi-colored sparks - creativity, ingenuity, all of it there, present on my face. It would be a mask that seems refreshing at a glance, and feels pleasant the longer you look at it. However, when I try to don the mask, it doesn't fit - the mold isn't right. If I give it to some other people though, it would meld into their face, look completely natural.

When I wear it, it just looks awkward and I feel the same way.

I've written several poems about masks due to my interest in this story/roleplay and my obsession with my characters, one of which (is a short and silly one and) reads like this:

I have a mask
And whatever you do
You can't see me
But I can see you

Because when someone wears a full-face mask, they can see out the eyes, but the other person cannot see through the mask. This poem could be silly, but you could also wonder, when would such a scenario be alright? Is there benefit to the other person being unable to see your true face? Or, in actuality, is the person speaking not happy with the situation?

Do they want their true self to be seen?

And I think I got off topic, but I'll try to get this back on track when I'm not too tired and incoherent @_@

Anyway, here, have a character: Twisted Emperor
There's no real reason to share this guy because he's from a while back and not my best creation or my best piece of writing and I'll probably regret this later... but he's the one that started off my obsession with masks and personalities and whatnot, so I thought it'd be appropriate to share. Context is that these 'wanted personality masks' result in a full transformation, and depending on how much the character depends on the mask, the personality might be tame or completely extreme.

Monday, April 1, 2013

Commedia dell Arte Notes

The Masks of Commedia dell Arte

  • 16th century
  • Masters of improvisation rooted in physical training
  • One stock character per actor (archetypes)
  • Improvise around scenarios embellish basic plot outline with physical routines known as lazzi
  • Virtuoso linguistic digressions (verbal riffs of standup comedians)
  • "A model for improvisatory and movement oriented performance"
  • Actor centered theatre (acrobatics, body training, improvisation, ensemble, staging techniques)
  • Street psychology
  • Through comedy, we can glimpse tragedy (Charlie Chaplin)
  • Buster Keaton, Laurel and Hardy, Marx brothers
  • Le Jeu of Lecoq
  • Driving force is not what to play but how it should be played
  • Grammalot
Characters
  • Pantalone - chicken - about suspicion
    • middle-aged or elderly man; rich, greedy, miserly
      • a father who competes romantically with his son
      • a husband deceived by a young wife
      • an overly-protective father guarding his young daughter from suitors
      • turkey, cockerel, chicken
  • Dottore - pig
    • elderly gentleman
    • friend, sometimes rival of Pantalone
    • originally a law professor, alter a medical man lacking common sense
    • ancestor of absent-minded professor
    • master of double talk and jargon, stutterer like priest in Princess Bride
    • studies everything; understands nothing
    • pretentious
  • Arlecchino/Harlequin - monkey - cat
    • Zanni
    • usually clever persuaders and schemers
    • excellent at ad-libbing and acrobatics
    • clever pranksters, agile in mind and body
    • illiterate
    • source of conflict; reactive not proactive; doesn't think about the consequences
    • opposite of Pantalone (too hungry, too tired, not too smart)
    • curiosity
    • disguises
    • hoarse voice
  • Zanni - group of birds/penguins/fish (zany ones)
    • proto clowns
    • preverbal
    • like animals
    • always sleepy or hungry
  • Innamorati/Innamoratae - Oratio and Isabella - less creature like
    • Beautifully dressed young loves; speak a refined language
    • No mask / lead with a chest
    • Parody of ballet
    • Use breath and points of lightness
  • Capitano - peacock - bloodhound - mastiff
    • boastful, cowardly Spaniard who brags of battles never fought and romances never experienced
    • braggart
    • bullheaded; not smart
  • Pulcinella
    • humpbacked, doltish male character, sometimes pot-bellied; disfigured
    • Zanni
    • powerful figure in a way; use violence to achieve his goals
    • stupid pretending to be clever or vice versa
    • likes to quarrel
    • sees everything in his own image
    • good at imitating animals and inanimate objects
  • Pedrolino; pierrot
    • Zanni
    • a simple, awkward male character; effeminate, tense, OCD, excitable
    • Devil Wears Prada - Stanley Tucci
    • butt of the jokes
    • doesn't seem to have feelings, but he vents when he's alone
    • faithful to his master but is a loner
    • often cuckholded
    • loves Colombina
  • Scaramuccia
    • Zanni
    • a mustached servant; sometimes clever, sometimes cruel
  • Senora - no mask
    • bossy, bawdy, offers herself in exchange for money or high status
    • vain, proud, goes after men
    • forever 29 years old
    • kinda like a cougar
  • Fontesca/Columbina/Clarice - fox
    • serving maid; clever and highspirted flirt; often moving
    • the maid, often to the Innamoratae
    • Often corresponded with Arlecchino
    • Ballet-like movements
    • Carries a basket or a tamborine
  • Scapino -
    • Zanni
    • falls in love for fun; flits from one love to another
    • playboy
    • forgetful
    • acts on every impulse
    • schemes against old men
  • Brighella
    • Zanni; kind of like the boss
    • cunning, corrupt; leads by fear and manipulation
    • kind of like Pulchinella
    • knows your weak points and uses them against you
    • not a victim
Working with the Mask
  • Cheat up
  • Use the physical characteristics of your mask - if you have a big nose, do it with a lot of rooster
  • Make the mask come alive
  • Don't touch the mask
  • Don't be subtle
Lazzi
  • Conversations
  • Little comic interludes
  • Moments of humor grabbed between scenes/during scenes
  • "something foolish, witty, or metaphorical in word or action"
  • Stage tricks
  • Comic stage business
  • Comic routines, planned or unplanned, that could be performed in any one of dozens of plays

Theater Education Programs Are in Demand for Workforce Creativity

I think it's wonderful that theatre programs are increasingly receiving the recognition that they deserve - for far too long they've been shunned in the academic fields as a mere 'accessory' and it was a disappointing, sad fact of the world... but this article's given me new hope.

Theatre inspires so much more than many people give it credit for - not only creativity, but an understanding of the self, of people, of the world that cannot be attained in other ways. Theatre gives you movement, gives you speech, gives you a reflection of souls and the environment and I just feel that everyone can benefit from being exposed to theatre. It gives people confidence and other traits, other skills, that they can apply anywhere in life and living.

TBC